It's my autobiographical performance dedicated to a 10-year-long experience of poverty. This performance is the first artwork in my research series 8 (one) resolved traumas. Nothing in the performance was acted; it was REACTED to everything I felt or heard. The dance & movements were totally improvised based on the body's response.

 The original music is composed by me specifically for this project. The music in the last part of the video was co-composed with Fran Noise in 2024. Performed at 1111 Art Gallery & Vegyeskereskedees in Budapest in 2026.

Art That Hits Home, Bratislava, 2025. In this exhibition, I improvised together with a Portuguese musician, Luis Miguel Girao. The goal was to play whatever interests us and create music together, while also being free to change whenever we feel like it. The whole performance was not practiced or prepared beforehand; we just decided what sounds and music genres we like most. There was no agenda or strategy for keeping the sounds together, and everything was trusted to our ears and intuition. It's the most successful musical experiment I've done so far, and it was greatly received by the public.

Melancholy & Hope, Bratislava, 2025. I've been actively working on music & sound improvisation since 2022, and I decided to try a new format: improvising sounds & music while another artist paints live. I was interested in the dance of emotions, thoughts, and skills when neither of us plans ahead and creates in the here and now, influenced by the other. Can I influence the painting with my voice and sounds? Can she influence me with her colors, movements, and emotions?

We didn't practice the performance, so everything that was happening was a complete surprise for both of us and the audience.

During Blind Sound Journey, I created live music using daily objects such as a brush, a can, plastic bottles, a cardboard box, a kitchen rubber glove, and salt. The performance concluded with my improvisation on the keyboard. The whole performance was made with my eyes closed, that's why it's called Blind Sound Journey. Performed in Bratislava at Omen House in 2025. 

HUMANIMAL, Barcelona, 2024. The main idea behind the performance was to embody the animal spirit living in the human body; to release the beliefs, prejudices, and blocked energy put in our brains when we were little girls and young women. I performed with my own voice-over, asking straightforward, even embarrassing questions, using my lived experience as a woman as a foundation. The performance started as a solo and became interactive with the public, after which I played the 'shamanic' song using DIY instruments and my voice.

This performance was an improvised creation we made as a final exam of movement therapy in visual arts together with Giliola S. Filmed in Rome, 2021. 

Stress is a play I directed as a final project for a one-year body performance course in Teatro Akropolis with my students in 2019, in Genoa. The idea of the play was to embody different emotions, chosen by the students. I recorded random phrases from them and used them as a lead audio source. I appear in the play later as a stressed mind - the place that holds them all. The music used for the play is the original music I composed with my friend.